At Edinburgh’s Inspace gallery on June 16, Project: New Cinephilia proudly debuted Reverse Shot Video’s inaugural attempt at video film criticism following a panel entitled “Critical Approaches II: Tools, Formats, and Experiments.” The four-part piece puts two quintessential New York filmmakers–Martin Scorsese and Woody Allen–under the microscope, finding correspondences and divergences between their depictions of urban space in Taxi Driver and Hannah and Her Sisters, respectively, while also laying bare the process of the filmmakers themselves. It was presented by Eric Hynes, Jeff Reichert, and Michael Koresky.
By Damon Smith
In the embarrassment of riches that is the new digital age, we are not lacking for critical voices. There are far too many good blogs and web sites and film-news outlets to keep up with at present, many built on the ashes of defunct print magazines and journals (Bright Lights or Movie: A Journal of Film Criticism, for instance), others erected by thoughtful cinephiles (Girish Shambu) or maintained by seasoned professionals (Dave Kehr, Jonathan Rosenbaum) who have much more to say than the shrinking newshole at their current or former outlet normally allows for. Consider those published in Spanish, Portuguese, Italian, French, German, Hindi, Arabic, and other major languages, and it’s easy to be not only awed by the choice and variety of quality sites devoted to cinema, but almost oppressed by their multitudinous manifestations. On the Internet, anyone can operate a fanzine or film journal, and for the most part, we benefit immeasurably from this cinephilic outpouring. Continue reading