Slow! Cinephiles writing!

Slow! Cinephiles Writing

Postcard from Los Angeles, by Mike Everleth

Gang,

You’re making me dizzy. So many great points to respond to! But, I have to start here:

Andrew said: “the cinephile label is what separates writers and commenters on mubi.com from those at movies.com.”

Funny you brought that up because I used to make a living as a writer for movies.com! (Back when it was owned by Disney.) Clearly, movies.com wasn’t and isn’t made for cinephiles, but I just need to say that if I ever knew a dude who I thought was a cinephile, it would be reviewer Dave White, who still writes there.

But that also leads into Frances’ excellent points about the importance for “slow” film criticism to exist. (Someone needs to mock up a street sign: SLOW! CINEPHILES WRITING!)[done!-ed]. The Internet really has gone from mostly a place where one could find great, detailed, obscure information to a marketplace where everybody has to be up on every late-breaking-oh-my-god-this-is-so-important piece of minutiae that zips by at supersonic speeds. Continue reading

Advertisements

The zine from here

Postcard from Los Angeles, by Mike Everleth

Frances (and the gang),

Yeah, if I had to, I’d call myself a “fan” over a “cinephile.”

(An aside: Does it mean anything when my spell-checker doesn’t even recognize the word “cinephile” and wants me to replace it with “acidophiles”?)

Like yourself and Neil, I meandered into this world of writing about film on the Internet. I never wanted to nor planned to write about film. My background is in film production and pre-Internet comic book zine publishing. As far as the comic scene in those days went, “fandom” was a positive, fun word and concept to throw around. Us fans banded together to publish each other’s articles in our self-published, photocopied zines to share ideas, history and our own amateur comics. Fandom meant togetherness in a world that didn’t appreciate our obsession. Continue reading