Postcard from Berlin, by Andrew Grant
Much to chew on here. Will return to matters of cinephilia in a moment, but I wanted to address the issues of criticism that have been raised. While I agree that critics, particularly those that write for online-only outlets, are under pressure to turn in copy while the topic is still “fresh” it’s reached rather ridiculous levels of late, and one only need turn to Cannes coverage for proof, particularly the morning of 16 May, when Malick’s The Tree of Life was unspooled for critics. At 10:05am (CET) Fabrice Leclerc’s review appeared on the L’Express site, even though the film still had about another 30 minutes to go. No idea how that happened. Was he filing from the screening, or did he decide he’d seen enough around the ninety-minute mark? Continue reading
Postcard from Sunderland, by Neil Young
Dear Frances (Mike, Matt and Andrew),
Of all the people to kick off a debate on New Cinephilia, they somehow picked me. I turned 40 in March, and there’s so much of current and recent and classic cinema with which I’m unfamiliar – if I reeled off the list of prominent directors of whom I have never seen a single movie, you’d be understandably shocked and startled (details of how I’ve managed to miss out on these guys’ work can perhaps be saved for later in these exchanges, though my preference for, if possible, seeing films on the big-screen is one factor, my 15 years as a horse-racing official another). So, by most cinephile’s standards, I am most likely not eligible to achieve proper “cinephile status”.
Or am I? As cinephilia – and New Cinephilia – evidently demands an engagement with current trends in cinema, is it necessary to (a) know who’s in the New Cinephile Canon at any given time, and (b) have seen at least one movie by those directors generally accepted as lurking within the pantheon? (just to reassure anyone who reckons I’m little more than a multiplex-haunting cine-philistine, I am up to speed on the likes of Albert Serra, Lisandro Alonso, Apichatpong Weerasethakul Claire Denis, Jia Zhang-Ke and James Benning, though that isn’t to say I’m a cheerleading fan for all of their films.) Continue reading