The zine from here

Postcard from Los Angeles, by Mike Everleth

Frances (and the gang),

Yeah, if I had to, I’d call myself a “fan” over a “cinephile.”

(An aside: Does it mean anything when my spell-checker doesn’t even recognize the word “cinephile” and wants me to replace it with “acidophiles”?)

Like yourself and Neil, I meandered into this world of writing about film on the Internet. I never wanted to nor planned to write about film. My background is in film production and pre-Internet comic book zine publishing. As far as the comic scene in those days went, “fandom” was a positive, fun word and concept to throw around. Us fans banded together to publish each other’s articles in our self-published, photocopied zines to share ideas, history and our own amateur comics. Fandom meant togetherness in a world that didn’t appreciate our obsession. Continue reading

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Of cinephilia(s) and fandom

Postcard from London, by Frances Morgan

Hi Mike (Neil, Mathieu, Andrew),

I’m going to dive into the middle of Neil’s great opening statement before I have a nibble at the edges. ‘Personally speaking, I’m interested in how modern cinephilia overlaps with the business of making a living from film – making them, writing about them, programming them’, he says, and I agree. Perhaps one of the reasons the notion of cinephilia is being debated is to do with this particular question, but it’s hard to talk about business and making livings in relation to this art form that we love, and easier, perhaps, to talk about why and how we love it. Continue reading