Postcard from Sydney, by Mathieu Ravier
I’ll start by claiming cinephile pride. Perhaps it’s because I’m French, but the word “cinephile” works for me. I like “fan”, but how many people out there don’t consider themselves fans of film? A distinction seems necessary, and in years of watching (reading about, writing about, dreaming about) cinema, no better term has been suggested to me. It describes – from Ancient Greek to French to English – someone with a passionate interest in cinema. That’s us, isn’t it?
In recent years (as I write this even!) the way in which we make, watch, share and talk about films has changed. Merci technology. More people seem to be joining the conversation and that conversation seems to be both more fragmented and less inhibited (by class, by education, by gender, by geography). Continue reading