Cinema is a medium tied to temporality. We experience a film one frame at a time, and barring a projector meltdown or remote control mishap, we watch it from start to finish in the order designed by the film’s creators. Comics, on the other hand, are a profoundly spacial medium. Time is read between the lines and between the panels, but it is the space of the page that we primarily consume. Over a two-page spread, all moments are one, and page-time is traveled as the eye darts back and forth across the page. Continue reading