Owning the movies

From Michael Koresky

To: Kent Jones, Melissa Anderson, Daniel Cockburn, Genevieve Yue

Since this cinephilic world we’re about to talk about is always plagued (from our own ranks and externally) by nattering questions about its own relevance, let me start by saying that the four of you who have agreed to participate in this roundtable discussion represent the types of people—thinkers—that keep this form we love relevant. What’s most gratifying is that you come from a cross-section of cinephilic worlds: while you are all writers, you approach writing about film from different angles: variously you have been or continue to be filmmakers, programmers, academics, and, of course, critics. You have worked at nonprofits dedicated to film preservation, or to film presentation; you have been employed at weekly newspapers, written for print magazines and blogs; you have made films that have been shown at international festivals or broadcast on public television; you have covered the contemporary avant-garde scene, the festival circuit, the art house, the films of Hollywood past. Most importantly, it would be impossible to compartmentalize any of you into any one professional category, regardless of your specialty or particular talents. Because above all, you are what I would proudly (and others might derisively) call cinephiles, a mercifully nonprofessional term that allows all of these worlds to swoop and dovetail with ease. Continue reading

Online Roundtable 2: Introductions

On the heels of our first Online Roundtable, Project: New Cinephilia has invited five critics based in North America (New York, Los Angeles, Toronto) to discuss how cinephilia manifests in today’s digital age, how it differs from past incarnations, and what this means for criticism, filmmaking, and cinema culture in general.

Our distinguished chair for this session is Michael Koresky, co-founding Editor-in-Chief of Reverse Shot and the staff writer for the Criterion Collection. Joining him are the estimable Kent Jones (author of Physical Evidence), Melissa Anderson (Village Voice, Artforum), Daniel Cockburn (director of You Are Here) and Genevieve Yue (Film CommentReverse Shot). Check back daily all week as the conversation continues.

For full biographies please visit our Contributors page.  You will find all related posts under the Online Roundtable 2 heading. Read, enjoy, and be sure to respond by clicking the link at the bottom of each post.